October 9th, 2009

...now browsing by day

 

BPA: We’re All Screwed

Friday, October 9th, 2009

Society laughs at your fears about the BPA-laden plastic water bottle.

“When people talk about polycarbonate bottles, they talk about nanogram quantities of BPA [leaching out],” Warner observes. “The average cash register receipt that’s out there and uses the BPA technology will have 60 to 100 milligrams of free BPA.” By free, he explains, it’s not bound into a polymer, like the BPA in polycarbonates. It’s just the individual molecules loose and ready for uptake.

As such, he argues, when it comes to BPA in the urban environment, “the biggest exposures, in my opinion, will be these cash register receipts.” Once on the fingers, BPA can be transferred to foods. And keep in mind, he adds, some hormones — like estrogen in certain birth-control formulations — are delivered through the skin by controlled-release patches. So, he argues, estrogen mimics like BPA might similarly enter the skin.

Go For It, Losers.

Friday, October 9th, 2009

From the press notes for the utterly baffling, upcoming new film Bad Lieutenant: Port of Call New Orleans, which is not a remake of the Harvey Keitel classic. Starring Nicolas Cage and directed by — no, seriously — Werner Herzog.

Here’s what Herzog — who’s easily on my list of 10 people I’d like to have dinner with someday — has to say to any early critics who might dare comment on the project.

It does not bespeak great wisdom to call the film The Bad Lieutenant, and I only agreed to make the film after William (Billy) Finkelstein, the screenwriter, who had seen a film of the same name from the early nineties, had given me a solemn oath that this was not a remake at all. But the film industry has its own rationale, which in this case was the speculation of starting some sort of a franchise. I have no problem with this. Nevertheless, the pedantic branch of academia, the so called “film-studies,” in its attempt to do damage to cinema, will be ecstatic to find a small reference to that earlier film here and there, though it will fail to do the same damage that academia — in the name of literary theory — has done to poetry, which it has pushed to the brink of extinction. Cinema, so far, is more robust. I call upon the theoreticians of cinema to go after this one. Go for it, losers.